Nmon Ford
Panamanian American baritone Nmon Ford’s recent highlights include his appearances as Escamillo Carmen at Opera Colorado, English National Opera and Calgary Opera. He joined Atlanta Symphony Orchestra for St Matthew Passion and with Fort Worth Symphony he performed a staged version of The Creation. Contracted for the role of Sharpless Madama Butterfly during the summer at Cincinnati Opera, this season he sings the role again at Detroit Opera, and travels to Opera Carolina for Silvio I Pagliacci before joining Cincinnati Symphony for concert performances of Hamlet as The Spectre. Beethoven’s Ninth Symphony takes him to the Pomona Orchestra, and he returns to Opera Colorado for High Priest Samson et Dalilah.
A feature of past seasons includes his exceptionally reviewed performances as Crown in the new Metropolitan Opera production of Porgy and Bess at English National Opera; and also for the title role Don Giovanni in the UK’s Dorset Opera Festival. He sang A Sea Symphony under the baton of Robert Spano with Dallas Symphony Orchestra, and his own composition, The House of Orpheus, which was slated for a premiere run in March 2020 at London’s Young Vic Theatre directed by Charles Randolph-Wright, is set for a US premiere in Season 2024/25.
“Ford – last seen in the UK as Crown in the ENO production of Porgy and Bess – was a casting coup for Dorset’s artistic director, Roderick Kennedy. The audience was unable to take its eyes off this Don as he waltzed, pirouetted and jived his way through the role with supreme confidence, accompanied by his warm, ample, seductive baritone. This was a consummate performance that simply knocked spots off…” Martina Bet, The Express, 31 August 2021
“Of the major characters, only Nmon Ford as Bess’s violent lover Crown has the necessary vocal heft and stage presence, and his ability to cow the entire community during the storm scene arouses a genuine thrill of terror.” Rupert Christiansen, The Telegraph, 12 October 2018
“Calm and collected, Nmon Ford, as the Celebrant, made a sweet sound…”
NY Times, Zachary Woolfe, 18 July 2018
BERLIOZ | Samson et Dalila (Le grand prêtre) |
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BIZET | Carmen (Escamillo) Les pêcheurs de perles (Zurga) |
BLOCH | Macbeth (Macbeth) |
CATÁN | Florencia en el Amazonas (Riolobo) |
GIORDANO | Andrea Chénier (Carlo Gérard) |
GRUENBERG | The Emperor Jones (Brutus Jones) |
LEONCAVALLO | I pagliacci (Tonio) |
MASCAGNI | Cavalleria Rusticana (Alfio) |
MASSENET | Hérodiade (Hérode) |
MOZART | Don Giovanni (Don Giovanni) |
PUCCINI | Tosca (Scarpia) |
STRAUSS, R. | Die Liebe der Danae (Jupiter) Salome (Jochanaan) |
VERDI | Aïda (Amonasro) Un ballo in maschera (Renato) Don Carlo (Posa) Ernani (Don Carlo) Macbeth (Macbeth) Nabucco (Nabucco) Otello (Iago) La traviata (Germont) Il trovatore (di Luna) Rigoletto (Rigoletto) |
WAGNER | Lohengrin (Telramund) Parsifal (Amfortas, Klingsor) Tristan und Isolde (Kurwenal) |
ADAMS | El Niño |
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BACH, J.S. | Cantata no.205 St. Matthew Passion |
BEETHOVEN | Symphony 9 |
BERLIOZ | L’enfance du Christ |
BLOCH | Sacred Service |
BOLCOM | Songs of Innocence and of Experience |
BRAHMS | Ein deutsches Requiem |
BRITTEN | War Requiem |
DEBUSSY | L’enfant prodigue Trois ballades de François Villon |
DELIUS | Sea Drift |
DE FALLA | Sietes cançiones populares Españolas |
ELGAR | The Dream of Gerontius |
ELLINGTON | Sacred Songs |
FAURÉ | Requiem |
HANDEL | Judas Maccabeus Messiah Samson |
HAYDN | Creation |
HIGDON | Dooryard Bloom |
LESHNOFF | Zohar |
MAHLER | Das Lied von der Erde Des Knaben Wunderhorn Kindertotenlieder Lieder eines fahrenden Gesellen Rückertlieder Symphony 8 |
MENDELSSOHN | Elijah |
MOZART | Concert Aria, “Mentre ti lascio, o flglia” Concert Aria, “Per pietà, non ricercate” |
ORFF | Carmina Burana |
RACHMANINOV | The Bells |
RAVEL | Don Quichotte à Dulcinée |
THEOFANIDIS | Creation/Creator |
VAUGHAN WILLIAMS | Five Mystical Songs Sea Symphony Serenade to Music |
VILLA-LOBOS | Symphony 10, “Amerindia” |
WALTON | Belshazzar’s Feast |
Contact
Deborah Sanders
Founder and Director
deborah@arbourartists.com