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Kenneth Kellogg
Bass
American bass, Kenneth Kellogg, enjoyed a busy and successful 2019-20 Season, starting in Europe with his return to Ópera de Oviedo in the role of Count Sam Horn Un ballo in Maschera. He travelled to Kraków, Poland for performances of Rossini’s Sigismondo singing the two roles of Ulderico and Zenovito with Capella Cracoviensis. In 2021, he appears as Commendatore Don Giovanni at Seattle Opera, and he returns to the role of Father Blue for a major US opera company.
Past successes include the role of Sam Bakewell The Summer King at Michigan Opera Theatre, a role he inaugurated at Pittsburg Opera during its world premiere. He returned to Washington National Opera for Father Palmer Silent Night and sang the role of Ashby La fanciulla del West at Maryland Opera. Other career highlights include his appearance as Mephistopheles Faust at Opera de Lausanne and at Opera de Oveido, Spain; he was Young Emile Champion for Opera Parallele in its West Coast premiere. As Sarastro Die Zauberflote, Kenneth made his debut at Opera de Lausanne, and sang the role at Virginia Opera and Opera Memphis.
“The tall and distinguished Kenneth Kellogg made an eloquent Prince Gremin, his deep bass voice resounding throughout Meymandi Hall as if wrapped in velvet…”
Josmar Lopes, josmarlopes.com
“The new Faust in Lausanne has, as usual, a fine cast of voices, crowned by a colossal Mephisto – American bass Kenneth Kellogg…”
Le Courrie
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| Bizet | Carmen (Zuniga) |
|---|---|
| Blanchard | Champion (Young Emile Griffith) |
| Britten | A Midsummer’s Night Dream (Quince) |
| Donizetti | Anna Bolenna (Lord Rochefort) |
| Gershwin | Porgy and Bess (Crown) |
| Gounod | Faust (Mephistopheles) |
| Handel | Hercules (title) |
| Handel | Ariodante (Rè di Scozia) |
| Heggie | Moby Dick (Queequeg) |
| Menotti | Amahl and the Night’s Visitors (Balthazar) |
| Monteverdi | L’incoronazione di Poppea (Seneca) |
| Mozart | Don Giovanni (Il Commendatore, Leporello)
Cosi fan tutte (Don Alfonso) Die Zauberflöte (Sarastro, Sprecher) Die Entführung aus dem Serail (Osmin) |
| Massenet | Werther (Johann) |
| Offenbach | Les contes d’Hoffmann (Crespel) |
| Puccini | La Bohème (Colline)
Tosca (Angelotti) |
| Puts | Silent Night (Father Palmer) |
| Schreker | Die Gezeichneten (Citizen 3, Giant citizen) |
| Saint-Saens | Samson et Dalila (Abimelech) |
| Sondheim | Sweeney Todd (Judge Turpin) |
| Sonnenberg | The Summer King (Sam Bankhead) |
| Tchaikovsky | Eugene Onegin (Prince Gremin, Zaretsky) |
| Verdi | Un Ballo in Maschera (Samuel, Count Ribbing)
Aida (Ramfis) La Traviata (Dr. Grenvil) Il Trovatore (Ferrando) Macbeth (Banquo) Simone Boccanegra (Pietro) Rigoletto (Count Monterone, Sparafucile) |
| Wolf-Ferrar | Le donne curiose (Ottavio) |
| Bach | St. Matthew Passion (Jesus) |
|---|---|
| Beethoven | Symphony No.9 |
| Handel | Messiah |
| Haydn | Creation |
| Verdi | Requiem |
Contact
Deborah Sanders
Founder and Director
deborah@arbourartists.com