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Andrew Bidlack
Tenor
Featured by Opera News as one of their ‘top 25 brilliant young artists’ (October 2015), tenor Andrew Bidlack is renowned for his interpretation of roles in contemporary opera, as well as his appearances in standard repertoire. A graduate of San Francisco Opera’s prestigious Adler Fellowship, Mr. Bidlack made his house debut in The Little Prince and went on to appear as Odoardo Ariodante, Count Albert Die Tote Stadt, Simpleton Boris Godunov, Gastone La traviata, and Ruiz Il Trovatore among other roles.
“How fitting, though, that the most beautiful voice in the cast belonged to tenor Andrew Bidlack, who as the everyman Greenhorn stands as the story’s conscience and its most humane and vulnerable persona. By opera’s end, we believe that he has preserved at least a shred of the innocence that Ahab and this narrative otherwise have taken from him.”
Howard Reich, Chicago Tribune, 27 April 2019
“Exuding a cat-like coolness, Andrew Bidlack, as Andy, saunters around a bench area in Christopher Park and playfully eyes a man across the way that looks interested…Bidlack, convincingly told the story of a kid looking for love, who finds it on the Stonewall dance floor.”
Opera Wire, Jennifer Pyron, 24 June 2019
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| BARBER | Vanessa (Anatol) |
|---|---|
| BELL | In Parenthesis (John Ball*)
Stonewall (Andy) |
| BELLINI | La sonnambula (Elvino) |
| BERLIOZ | Béatrice et Bénédict (Bénédict) |
| BERNSTEIN | Candide (Candide) West Side Story (Tony) |
| BIZET | Les pêcheurs des perles (Nadir) |
| CATÁN | Florencia en el Amazonas (Arcadio) |
| DONIZETTI
DOVE |
La fille du régiment (Tonio) L’elisir d’amore (Nemorino) Lucia di Lammermoor (Edgardo, Arturo) Lucrezia Borgia (Gennaro) Rita (Beppe)Flight (Bill) |
| GORDON
GRETRY |
Morning Star (Irving Tashman*)
27 (Pablo Picasso et al)
Zémire et Azor (Azor) |
| HANDEL | Acis and Galatea (Damon) Alcina (Oronte) Partenope (Emilio) |
| HEGGIE | Moby-Dick (Greenhorn) |
| KORNGOLD | Die tote Stadt (Graf Albert) |
| LEONCAVALLO | I pagliacci (Beppe) |
| MAXWELL-DAVIES | The Lighthouse (Sandy) |
| MOZART | Bastien and Bastienna (Bastien) Così fan tutte (Ferrando) Die Entführung aus dem Serail (Belmonte) Die Zauberflöte (Tamino) Don Giovanni (Don Ottavio) Zaide (Gomatz) |
| MUSSORGSKY | Boris Godunov (Simpleton) |
| MUSTO | The Inspector (Tancredi) |
| OFFENBACH | La belle Hélène (Paris) |
| PASATIERI | The Hotel Casablanca (Charles Carter*) |
| PORTMAN | The Little Prince (Lamplighter/Drunkard/Quartet) |
| PREVIN | A Streetcar Named Desire (Young Collector) |
| PUCCINI
PUTS |
Gianni Schicchi (Rinuccio) Manon Lescaut (Edmondo)Silent Night (Nikolaus Sprink) |
| RACHMANINOFF
RAVEL |
Aleko (Young Gypsy)
L’heure espagnol (Gonsalve) |
| ROMBERG | Prince Karl Franz (The Student Prince) |
| ROSSINI | La cenerentola (Ramiro) Otello (Rodrigo) Il barbiere di Siviglia (Almaviva) |
| STRAUSS, J. | Die Fledermaus (Alfred) |
| STRAUSS, R. | Ariadne auf Naxos (Brighella) Capriccio (Flamand) Intermezzo (Baron Lummer) |
| STRAVINSKY | The Rake’s Progress (Tom Rakewell) |
| TALBOT | Everest (Rob Hall*) |
| TCHAIKOVSKY | Iolanta (Almeric) |
| TCHAIKOVSKY | Eugene Onegin (Lensky) |
| VERDI | Falstaff (Fenton) La traviata (Alfredo) |
| BACH, J.S. | Weihnachtsoratorium |
|---|---|
| BELL | London’s Fatal Fire |
| HANDEL | The Messiah |
| Haydn | The Creation |
| MENDELSSOHN | Elijah |
| MOZART | Requiem |
| ORFF | Carmina Burana |
| Rossini | Stabat Mater |
Contact
Deborah Sanders
Founder and Director
deborah@arbourartists.com